The early to middle Anglo-Saxon period saw a number of shifts in fashion - often radical and sudden. Examples include the adoption of animal interlaces, or the adoption of filigree and lapidary work over earlier carved-and-cast decoration on items like brooches and buckles, in the late 6th century.
Due to the decline of furnished burials the fashions of the late 7th to 8th centuries were previously largely unknown to us, but a growing number of finds reported to the Portable Antiquities Scheme has allowed a previously unknown brooch type to be categorized. These were bizarre - fragile, and of a radically different design than earlier types, but were of a very specific, highly conserved shape, and appear to have become the main high-status dress item of the period.  Why were they designed in this way? What, if anything, did they signify?   

Our team began discussing this strange fashion in 2020. Little did we know where the trail of the lozenge brooch would lead.... 

Once dismissed as frivolous and merely decorative, Anglo-Saxon artwork is increasingly recognised to be loaded with hidden meaning, but we have barely begun to decode this visual language. Doing so offers the potential to transform our understanding of this historical cultural network of the so-called “Dark Ages” as a significant world civilization.

New research by Thegns of Mercia member James D. Wenn, focused on a seemingly unrelated subject area, and a series of chance discoveries, have led to transformative new learning perspectives with wide-ranging implications. A book (to be published soon) will lay out many of these discoveries, with key concepts discussed in an upcoming public lecture in April 2023, but neither can fully document the application of these new perspectives on the corpus of Anglo-Saxon art. In the coming weeks we will, therefore, be publishing a special series of articles, here, which will explore the decoding of Anglo-Saxon art made possible by these perspectives.

How did folk in early medieval lowland Britain spend the coldest and darkest time of the year?  What evidence do we have for their midwinter traditions, how did they change and evolve during the period, and have any survived to influence our own festive traditions today?

In preparation for a special midwinter event and seasonal exhibition at the most famous early Anglo-Saxon archaeological site - Sutton Hoo, and building on an earlier article on this subject published in 2012, we embarked on a project to re-examine the evidence for Anglo-Saxon midwinter traditions.  Though noting the existence of a well established image of a generalized early medieval Yule based on passed-down folk traditions and logical inferences is held dear by many people today, we found that many traditions assumed to be Anglo-Saxon in origin are absent from primary sources from the period and are first documented surprisingly late. On the other hand, we found evidence for surprisingly familiar traditions established during the Anglo-Saxon period which can be thought of as distant ancestors of aspects of modern Christmas we still observe today.
So don your warmest cloak, grab a horn-full of mead, and join us on a journey through time, back to the Anglo-Saxon midwinter festival known as Yule.

Compared to the famous shield from Sutton Hoo Mound 1, the shields from the other treasure-filled princely Anglo-Saxon burials lack ostentatious decorative fittings. In the first chapter (link) we discussed the striking similarity of these shields, which appeared to be high-performance gear for warrior princes, optimised for agility rather than ostentation. In the second chapter (link) we reported on our project to produce an authentic replica of such a shield, and explore just how light weight they could have been.