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Shield of an Anglo-Saxon Prince - Part 2:  Building the Shield

19/3/2022

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Aside from the magnificently decorated, heavy shield from Sutton Hoo Mound 1, remains of early Anglo-Saxon shields suggest they were typically relatively plain. Curiously the shields from the other treasure-filled princely burials – Taplow, Broomfield, Prittlewell, Sutton Hoo Mound 17 and others appear especially so, not befitting the status of these burials, with little in the way of decorative fittings, and very minimal, unusually simplified bosses. 
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In the previous chapter (link) we revealed that (in contrast to the wide variability of shields from contemporary graves) the late 6th century princely burial shields were all practically identical, with suites of four simple disc mounts on the board, simple 1a(i) iron grip reinforcers, and innovative SB-4b / Dickinson’s Type 6 shield bosses – the smallest and lightest of all Anglo-Saxon bosses. In a number of these cases the boards were also made of ultra-light-weight willow. This is the lightest combination of fittings possible, among those evidenced from early Anglo-Saxon graves.   We have therefore argued that the princely shields represent a class of very carefully made, high-performance versions of the standard Anglo-Saxon shield, with weight-reduction prioritised over ostentation.
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In 2021 we undertook a project to reconstruct such a shield – to explore precisely how light such a shield could be for a given diameter, and to explore methods consistent with archaeological clues which might have been employed to embellish such shields, commensurate with the status of their owners, without compromising their performance.  The result would provide a theoretical minimum weight for an early Anglo-Saxon shield of practical size, and represent our tenth and most ‘authentic’ shield reproduction to date. 



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Shield of an Anglo-Saxon Prince - Part 1:  Surprising Discoveries

30/7/2021

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PictureSutton Hoo Mound 1 Shield ( (C) British Museum)
Shields were arguably the most crucial and universal tool of the Anglo-Saxon battlefield, and their degraded remains - mainly iron fittings - are fairly frequent finds from early Anglo-Saxon graves. While most shields appear. at least in terms of metal fittings, to have been relatively plain, the famous kingly shield from Sutton Hoo Mound 1 was enormously elaborate and ostentatious, with fierce and glittering golden animal fittings, a bronze rim, and an elaborately decorated shield boss integrating embossed foils and garnets. Between these extremes its fair to assume the visual impact of shields reflected the status of its owner, but what of the shields from the other famous treasure-filled princely burials? Were they similarly impressive? 
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Detailed examination of the remains of these lesser-known 'princely' shields reveals a number of surprises.... 


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Lyre Cases

1/12/2019

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Previously we unveiled reconstructions of two early Anglo-Saxon lyres based on remains from princely burials (link). Lyres were extremely precious and sensitive objects, so deserved special protection from knocks, but also from the constant wide changes in temperature and humidity which occurred daily both within and outside Anglo-Saxon halls. Many archaeological examples both from lowland Britain and contemporary graves in Europe show signs of repair in antiquity. The most extreme example, the Prittlewell lyre appears to have been cracked on both sides, and carefully pieced back together using small metal riveted strips acting as staples.
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Thankfully these burials also provide archaeological clues regarding the measures the Anglo-Saxons took to protect their musical instruments, with tantalising traces of cases.
​Partly based on these remains, here we present two alternative forms of lyre case which may have been used in the period, reconstructed by members Andrew and Æd Thompson.  
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Two Princely c7th Anglo-Saxon Lyres

30/9/2019

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Few objects in early Anglo-Saxon archaeology are more evocative, than the so-called “warrior-lyres” or “hearpes” which have gradually emerged from analysis of mostly quite poorly preserved remains from some of the most famous 6-7th century burials. For those exploring this historic period, they also possess a unique power – transmitting to us another sensory dimension to enrich our sense of the Anglo-Saxon world. With accurately built replica lyres, we are granted the unique opportunity experience the sound of the 6-7th century mead hall, echoing across the centuries, which accompanied the first recorded stories and poems in our langu​age.

In autumn 2018, member Æd Thompson (having previously produced Dreamgifu – a reasonably faithful replica of the perfectly preserved 6th century Alemannic lyre from Trossingen) embarked on a project to produce two new lyres, of the (in some ways) more challenging Anglo-Saxon design.



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