​Though widely regarded as poor in early Anglo-Saxon (5-7th century) cemetery material, the West Midlands is home to some spectacular cemetery finds, most of which, excavated prior to modern archaeology and not on public display, remain obscure even to specialists.

Many of these finds originate from a chain of community burial sites along the river Avon in the south Midlands (Warwickshire & Worcestershire). Situated between the territory of what would later emerge as the kingdoms of Mercia and Wessex, the people buried here in the 5-6th century belonged to neither, yet are enmeshed in the origins of both. This community was also sandwiched between conclusively 'Anglian' territory and the Welsh Kingdoms, so might better be termed 'Anglo-British' than 'Anglo-Saxon', with clear signs of local Romano-British continuity intermingling with migration and change. Living in a 'transport triangle' criss-crossed by Roman-roads and navigable rivers, this community arguably provides the perfect case-study for engaging with the complexity of ethnogenesis / identity formation, and transformation, from late antiquity into the early medieval period in lowland Britain. 
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In recent years we have undertaken a long-running project to re-create some of these treasures, to raise awareness of these amazing finds hitherto not on public display, and in particular, to reconstruct the image of a series of individuals from this 6th century community, based on the archaeology of specific burials, providing an opportunity to come 'face-to-face' with the folk who lived in the heart of what is now England, at the crossroads of kingdoms, 1500 years ago.

These reconstructions were unveiled at a series of public events at Sutton Hoo (National Trust) in summer 2023.

Early Anglo-Saxon sword blades are increasingly recognised as magnificent works of historic smithcraft. Usually found in horrendous states of preservation, their artistry can be revealed through x-radiography and metallography, then brought to life by painstaking reconstruction by historic bladesmiths. Handling of such replicas in turn has led to commentary on the handling characteristics of these weapons, providing inferences about the early medieval battlefield. However while we can be confident about the length, width, approximate shape, and construction of such blades, critical data concerning thickness of blades is lacking, in turn casting doubt upon the weight, balance and handling of these weapons.  Precisely how thick - and therefore, heavy, were early Anglo-Saxon swords?

The approaching coronation of King Charles III represents a chain of similar coronation or consecration rites of monarchs in Britain reaching back at least 1000 years. The precise origins of many of these rites have been lost to time. 
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Over all though, with the history of the English monarchy often presented as beginning with William the Conqueror's coronation on Christmas Day 1066 at Westminster Abbey, it's easy to imagine Britain's deeper history is not represented in the ceremony. In fact, although less obvious than later medieval elements, there are significant parts of the  coronation rite which reach back to, or attempt to reach out to (widest sense) Anglo-Saxon history. 
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​​This article is part of a series about our increasing understanding of the meanings behind the designs of Anglo-Saxon art. For other chapters click here.

​​Secrets in the Stones: Decoding Anglo-Saxon Art. Part 4
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The Garnet Code

​Early Anglo-Saxon jewellery is renowned for its use of gold and garnet work. Until now, the significance of garnets as a material has not been thoroughly investigated. In this article, and a public lecture at Soulton Hall, Shropshire (delivered simultaneously with this article’s timed release) James D. Wenn draws together the geometry of the garnet crystal with the geometry within Anglo-Saxon art and architecture, signposting to the previous articles in this series. This is then coupled with later examples of this geometry, notably the Cosmati Pavement in Westminster Abbey, to link the philosophical meaning of this geometry to Plato’s book ‘Timaeus’, and both pre-Christian and Christian cosmology and theology.​