The approaching coronation of King Charles III represents a chain of similar coronation or consecration rites of monarchs in Britain reaching back at least 1000 years. The precise origins of many of these rites have been lost to time. 
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Over all though, with the history of the English monarchy often presented as beginning with William the Conqueror's coronation on Christmas Day 1066 at Westminster Abbey, it's easy to imagine Britain's deeper history is not represented in the ceremony. In fact, although less obvious than later medieval elements, there are significant parts of the  coronation rite which reach back to, or attempt to reach out to (widest sense) Anglo-Saxon history. 
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A gold-and-garnet pommel from the Staffordshire Hoard, which once adorned the jewelled hilt of the sword of an early Anglo-Saxon prince or king, shows what appear to be vaults or arches beneath 'triangular pediments', hiding in the patterns of its garnets. 

Once dismissed as an imaginative vision of the architecture of Rome by a culture whose architecture was limited to wooden huts and halls, new analysis we present here supports a radically different interpretation: that the pommel is a precise representation of a sophisticated and uniquely 'Anglo-Saxon' building, made decades or even centuries before such structures were previously thought to exist. 
Could this sword mount provide the earliest glimpses of a lost Anglo-Saxon temple?

Although most swords from early Anglo-Saxon burials had relatively simple, entirely or largely organic hilts, more elaborate early Anglo-Saxon swords, as well as those of similar designs from related cultures in Migration Period and Early Medieval Europe and 'pre-Viking' Scandinavia, had hilts assembled from many different components.
 
The Staffordshire Hoard, discovered in 2009, contains the remains of between 80 and 150 bejewelled sword hilts, all having been ripped from their original blades. It can be difficult to keep track of the terms for all these various components, and how they relate to each-other. To reduce confusion when discussing Anglo-Saxon sword parts, we've prepared this illustrated guide, to help. 

The early to middle Anglo-Saxon period saw a number of shifts in fashion - often radical and sudden. Examples include the adoption of animal interlaces, or the adoption of filigree and lapidary work over earlier carved-and-cast decoration on items like brooches and buckles, in the late 6th century.
Due to the decline of furnished burials the fashions of the late 7th to 8th centuries were previously largely unknown to us, but a growing number of finds reported to the Portable Antiquities Scheme has allowed a previously unknown brooch type to be categorized. These were bizarre - fragile, and of a radically different design than earlier types, but were of a very specific, highly conserved shape, and appear to have become the main high-status dress item of the period.  Why were they designed in this way? What, if anything, did they signify?   

Our team began discussing this strange fashion in 2020. Little did we know where the trail of the lozenge brooch would lead.... 

How did folk in early medieval lowland Britain spend the coldest and darkest time of the year?  What evidence do we have for their midwinter traditions, how did they change and evolve during the period, and have any survived to influence our own festive traditions today?

In preparation for a special midwinter event and seasonal exhibition at the most famous early Anglo-Saxon archaeological site - Sutton Hoo, and building on an earlier article on this subject published in 2012, we embarked on a project to re-examine the evidence for Anglo-Saxon midwinter traditions.  Though noting the existence of a well established image of a generalized early medieval Yule based on passed-down folk traditions and logical inferences is held dear by many people today, we found that many traditions assumed to be Anglo-Saxon in origin are absent from primary sources from the period and are first documented surprisingly late. On the other hand, we found evidence for surprisingly familiar traditions established during the Anglo-Saxon period which can be thought of as distant ancestors of aspects of modern Christmas we still observe today.
So don your warmest cloak, grab a horn-full of mead, and join us on a journey through time, back to the Anglo-Saxon midwinter festival known as Yule.

At the time of writing a season of celebrations is underway for the Platinum Jubilee of Queen Elizabeth II, marking her 70 years as reign as monarch of the UK and Commonwealth.  Such a long reign is historically unprecedented and means that the overwhelming majority of people living in countries where she serves as head of state have no living memory of the reign of another monarch. In turn this also means that few have any memory of the reign of a king; a woman as head of state in these realms feels perfectly normal - even 'default' - and we have grown up talking of the history of "kings and queens" as if the words and roles have always carried equal weight. Historically this was not the case. Centuries ago, that which now goes without saying -that a woman could rule, competently and successfully in her own right - was a truly revolutionary idea. It only became accepted as the result of the examples set by a series of remarkable female rulers in Britain and the twists of fate which crowned them and tested them.