In the previous chapter we briefly introduced the early ‘Anglo-Saxon’, or perhaps more accurately ‘Anglo-British’ community which lived along the Warwickshire & Worcestershire Avon valley in the 5th-7th centuries, represented by a chain of settlement sites and cemeteries along this westward-flowing river in an area – the West Midlands – which has generally been regarded as the western frontier of ‘Anglo-Saxon’ activity. We discussed how the situation of this community makes them an ideal case-study for getting to grips with the complexities of late antiquity – of continuity and change, the arrival of new people and new fashions, and how identity formed and transformed in lowland Britain in the period between the Roman withdrawal and the emergence of coherent Anglo-Saxon kingdoms.  

Whereas overarching narratives of this period are so often dominated by the archaeology of the south and east coast, it is perhaps these inland places at the crossroads between kingdoms (Tompkins, 2017) where we might get a better glimpse of the themes and processes affecting lowland Britain as a whole. However, with many of its sites excavated prior to modern archaeology, and with their finds not displayed, this region is hugely overlooked, and barely features in public-facing discourse about the Anglo-Saxon period or the processes which led to the formation of the kingdom of England. To address this, we embarked on a three-year project to reconstruct an image of three individuals from this community-chain, based on remains from specific burials and to raise awareness of the archaeology of this region.

​Many cemeteries in this region with fascinating finds were excavated prior to modern archaeology considerably challenging efforts to reconstruct burial assemblages (a problem we have discussed previously and will return to in a later chapter discussing the reconstruction of an assemblage from Bidford-on-Avon) but one cemetery in particular was meticulously excavated in the mid 1980s by some of the UK’s leading early medieval specialists, and after a lengthy delay its archaeology was analysed and finally published in 2009. The themes which emerged from the analysis of the ‘Roman, British and Anglo-Saxon Community’ cemetery at Wasperton challenged many of the existing assumptions and entrenched debates about the arrival of the ’Anglo-Saxons’, changing burial practices, expression of identity, and the emergence of ‘Anglo-Saxon’ kingdoms (Carver et. al., 2009) in ways that have perhaps still not fully had chance to work through.

The archaeology here was, for an early medieval cemetery, almost uniquely long-lived and continuous, diverse, and did not fit with any particular simplistic model of settlement or change. Argued to ‘raise more questions than it answers’ the cemetery at Wasperton represents a local community, in the heart of what is now England – always diverse, highly networked with other regions, continually renegotiating its identity, and adapting or responding to outside change.  

​Seeking to raise awareness of this fascinating archaeology, here we present and discuss work led by Thegns of Mercia member and historic costume expert Lindsey Catlin to reconstruct the appearance of one individual from this late antique Anglo-British community based on remains from one of 242 burials in the Wasperton cemetery. 

​Though widely regarded as poor in early Anglo-Saxon (5-7th century) cemetery material, the West Midlands is home to some spectacular cemetery finds, most of which, excavated prior to modern archaeology and not on public display, remain obscure even to specialists.

Many of these finds originate from a chain of community burial sites along the river Avon in the south Midlands (Warwickshire & Worcestershire). Situated between the territory of what would later emerge as the kingdoms of Mercia and Wessex, the people buried here in the 5-6th century belonged to neither, yet are enmeshed in the origins of both. This community was also sandwiched between conclusively 'Anglian' territory and the Welsh Kingdoms, so might better be termed 'Anglo-British' than 'Anglo-Saxon', with clear signs of local Romano-British continuity intermingling with migration and change. Living in a 'transport triangle' criss-crossed by Roman-roads and navigable rivers, this community arguably provides the perfect case-study for engaging with the complexity of ethnogenesis / identity formation, and transformation, from late antiquity into the early medieval period in lowland Britain. 
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In recent years we have undertaken a long-running project to re-create some of these treasures, to raise awareness of these amazing finds hitherto not on public display, and in particular, to reconstruct the image of a series of individuals from this 6th century community, based on the archaeology of specific burials, providing an opportunity to come 'face-to-face' with the folk who lived in the heart of what is now England, at the crossroads of kingdoms, 1500 years ago.

These reconstructions were unveiled at a series of public events at Sutton Hoo (National Trust) in summer 2023.

The approaching coronation of King Charles III represents a chain of similar coronation or consecration rites of monarchs in Britain reaching back at least 1000 years. The precise origins of many of these rites have been lost to time. 
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Over all though, with the history of the English monarchy often presented as beginning with William the Conqueror's coronation on Christmas Day 1066 at Westminster Abbey, it's easy to imagine Britain's deeper history is not represented in the ceremony. In fact, although less obvious than later medieval elements, there are significant parts of the  coronation rite which reach back to, or attempt to reach out to (widest sense) Anglo-Saxon history. 
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​​This article is part of a series about our increasing understanding of the meanings behind the designs of Anglo-Saxon art. For other chapters click here.

​​Secrets in the Stones: Decoding Anglo-Saxon Art. Part 4
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The Garnet Code

​Early Anglo-Saxon jewellery is renowned for its use of gold and garnet work. Until now, the significance of garnets as a material has not been thoroughly investigated. In this article, and a public lecture at Soulton Hall, Shropshire (delivered simultaneously with this article’s timed release) James D. Wenn draws together the geometry of the garnet crystal with the geometry within Anglo-Saxon art and architecture, signposting to the previous articles in this series. This is then coupled with later examples of this geometry, notably the Cosmati Pavement in Westminster Abbey, to link the philosophical meaning of this geometry to Plato’s book ‘Timaeus’, and both pre-Christian and Christian cosmology and theology.​