Secrets in the Stones: Decoding Anglo-Saxon Art. Part 1
From Egypt to East Anglia: design in the Sutton Hoo scabbard bosses
Sutton Hoo scabbard boss ( (C) Trustees of British Museum) This article is part of a series about our increasing understanding of the meanings behind the designs of Anglo-Saxon art. For other chapters click here.
Amongst the glittering masses of gold and garnet treasure, from the Sutton Hoo royal burials in East Anglia and the Staffordshire Hoard to the smaller discoveries of furnished graves and chance finds, it can be hard to concentrate on individual pieces. In the scabbard bosses from Sutton Hoo, however, close inspection reveals an exciting possibility — that the people who created these masterpieces of jewellery not only had the most sophisticated craft skills, but also possessed mastery of classical philosophy from the Eastern Mediterranean.
Amongst the glittering masses of gold and garnet treasure, from the Sutton Hoo royal burials in East Anglia and the Staffordshire Hoard to the smaller discoveries of furnished graves and chance finds, it can be hard to concentrate on individual pieces. In the scabbard bosses from Sutton Hoo, however, close inspection reveals an exciting possibility — that the people who created these masterpieces of jewellery not only had the most sophisticated craft skills, but also possessed mastery of classical philosophy from the Eastern Mediterranean.
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