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Hanging Bowls; Wash your hands like an Anglo-Saxon

7/2/2021

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​An enigmatic and often overlooked class of objects particularly common in high status Anglo-Saxon “warrior” burials of the 6th, and especially the 7th century, hanging bowls were typically 15-30cm and made of unusually high purity leaded bronze. Early examples hung from 3-4 hooks with rings, integral with elaborate openwork or enamelled escutcheons, while later examples had hooks cast with brackets, which contained separately made disc escutcheons, typically tinned bronze with ​​opaque ​red 
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enamel, in swirling “trumpet spiral” patterns with strongly “Celtic” affinities which would later play alongside Germanic motifs in early insular manuscript art. A counter-sunk base typically housed an additional escutcheon, often even more elaborate, on the base, and created an inner platform for another escutcheon inside, or in some cases 3D sculptures (such as a fish, raised up inside the bowl as if swimming, in the case of a bowl from Sutton Hoo).  Where did these enigmatic objects come from, and what were they used for? 
(Originally published in March 2020.)

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"Anglo-Saxon" and "Viking" Mens Hairstyles

7/2/2021

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In our presentations we endeavour to create convincing and well-researched impressions of the dress and accoutrements of people of particular cultures, sub-periods (ideally century, half-century or even decade) and of particular status or societal role. Recently there has been a trend towards re-creation of assemblages from specific graves, though most such contexts fall well short of providing sufficient evidence on which to entirely base all details of costume, let alone other more ephemeral aspects of appearance.  ​One such matter is that of hairstyle. We very frequently encounter individuals with very strong opinions on the matter of what hairstyles the people of late- 
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"Criticise our haircuts one more time, I dare you..."
antiquity or early medieval period would have had, and are keen to point out how wrong we are, for our variously either “too modern” or “too clichéd” haircuts. Such criticism raises two questions;  What do we really know about the hairstyles of nominally “Anglo-Saxon” and “Viking” period peoples?    What is our group’s authenticity policy with respect to this issue?
In this article we hope to address both questions with respect to male hairstyle and grooming, with a further article on womens’ hair and head-wear to follow. 
(Originally published in October 2019)

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Can we all please calm down about the pipe lady?

7/2/2021

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Recently a photo of an intact early Anglo-Saxon skeleton absolutely skewered by a modern cable or pipe, has gone viral. It’s a powerful photo emblematic of the trampling of heritage by modernity, and brutal disrespect of human remains. Except it isn’t; this is not the scandal you're looking for...

(Originally published in May 2019)
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Two Princely c7th Anglo-Saxon Lyres

30/9/2019

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Few objects in early Anglo-Saxon archaeology are more evocative, than the so-called “warrior-lyres” or “hearpes” which have gradually emerged from analysis of mostly quite poorly preserved remains from some of the most famous 6-7th century burials. For those exploring this historic period, they also possess a unique power – transmitting to us another sensory dimension to enrich our sense of the Anglo-Saxon world. With accurately built replica lyres, we are granted the unique opportunity experience the sound of the 6-7th century mead hall, echoing across the centuries, which accompanied the first recorded stories and poems in our langu​age.

In autumn 2018, member Æd Thompson (having previously produced Dreamgifu – a reasonably faithful replica of the perfectly preserved 6th century Alemannic lyre from Trossingen) embarked on a project to produce two new lyres, of the (in some ways) more challenging Anglo-Saxon design.



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    Thegns Blog

    Exploring the history, archaeology and cultures of the "Anglo-Saxon Period" (encompassing the Migration and Viking Ages).

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