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Follow the Lozenges

21/3/2023

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​This article is part of a series about our increasing understanding of the meanings behind the designs of Anglo-Saxon art. For other chapters click here.

​Secrets in the Stones: Decoding Anglo-Saxon Art. Part 2
​
Follow the Lozenges

Picture
The early to middle Anglo-Saxon period saw a number of shifts in fashion - often radical and sudden. Examples include the adoption of animal interlaces, or the adoption of filigree and lapidary work over earlier carved-and-cast decoration on items like brooches and buckles, in the late 6th century.
Due to the decline of furnished burials the fashions of the late 7th to 8th centuries were previously largely unknown to us, but a growing number of finds reported to the Portable Antiquities Scheme has allowed a previously unknown brooch type to be categorized. These were bizarre - fragile, and of a radically different design than earlier types, but were of a very specific, highly conserved shape, and appear to have become the main high-status dress item of the period.  Why were they designed in this way? What, if anything, did they signify?   

Our team began discussing this strange fashion in 2020. Little did we know where the trail of the lozenge brooch would lead.... 


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From Egypt to East Anglia: design in the Sutton Hoo scabbard bosses

5/3/2023

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​Secrets in the Stones: Decoding Anglo-Saxon Art.  Part 1
​
From Egypt to East Anglia: design in the Sutton Hoo scabbard bosses

PictureSutton Hoo scabbard boss ( (C) Trustees of British Museum)
​This article is part of a series about our increasing understanding of the meanings behind the designs of Anglo-Saxon art. For other chapters click here. 

Amongst the glittering masses of gold and garnet treasure, from the Sutton Hoo royal burials in East Anglia and the Staffordshire Hoard to the smaller discoveries of furnished graves and chance finds, it can be hard to concentrate on individual pieces. In the scabbard bosses from Sutton Hoo, however, close inspection reveals an exciting possibility — that the people who created these masterpieces of jewellery not only had the most sophisticated craft skills, but also possessed mastery of classical philosophy from the Eastern Mediterranean.


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